
Q: What defines the pinnacle of a blogger’s glee?
A: …being invited by DC’s Shakespeare Theatre Company to a media night performance of course!
And recently I enjoyed the opportunity to attend and thus review William Congreve’s The Way of the World directed by Michael Kahn.
The anticipation:
Congreve’s work was new to me so before the curtain drew, I was excited to learn of his storytelling style. The intimacy of Lansburgh Theatre accelerated this anticipation with its earth-toned auditorium and uniquely angled seating; somehow the theatre’s environment conveyed an aura that said: “Anticipating good entertainment is natural here!”
The story:
The play unfolds in the 17th century during England’s Restoration era. And my micro synopsis of this piece is: it’s a much more light hearted version of Dangerous Liaisons.
Dirctor Michael Kahn further describes the story:
“‘The Way of the World’ is about money, sex, power, appearances, and deception, and finally love. [The characters] Mirabell and Millamant love each other, but they endlessly deceive other people, and each other, in order to achieve that love. And that is probably the truest relationship in the play!”
“…It’s a huge comedy of deception, set in a society that really has money and sex at the heart of its concerns.”
Favorite design element: the costumes
The cast was dynamic and their witty deceptions gained my favor through the whole performance. But it was the use of costume in the story that knocked my socks off the most. Imagine every depth of green laced with sparkling, frilly layers and thus exists the play’s costume palate. It was gorgeous; and the color green metaphorically championed all the play’s themes – monetary greed, sexual urge as potent as Spring’s first signs, and even some naivete in a supporting character that resonated my Dad’s favored phrase ‘greenhorn gullible’.
Favorite actor: Christopher Innvar i.e. “Mirabell”
The cast offered delightful talent full of great timing and compatibility. What kept my attention most however was Innvar’s confidence and his ability to emotionally chase his lover Millamant despite knowing her imperfections.
Favorite lines:
Plenty of one-line zingers energize the dialogue. Some that stood out:
When a house keeper offers a lady a small sized drink:
Does thou take me for a fairy to drink out of an acorn?
When one supporting character observes the passion between the two leads:
Your mutual jealousies of eachother have collided so much you’ve both struck fire!
One inconsistent flaw:
One of the leads, Veanne Cox as Millamant, gave a spry, delicious performance. Her intelligent, flirtatious persona was practically edible. Yet at times her delivery involved so much momentum that some of her lines were lost. In a few scenes, I could not discern some of her dialogue.
Overall review:
With vibrant, sensual color, wit, sexual tension, infidelity, and manipulation — all in the quest for love and financial preservation – why wouldn’t The Way of the World lure you to this weekend’s performance?
I recommend it.